Jyoti Saha
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Incest Matrubhog
- Thread starter Pravasi Mallu
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Khoiya Night — Ocean Pearl Resort, Kovalam. Raat ke kareeb 11 baj rahe the.
Resort ke rooftop par khoiya ka program tha—ek aadha hall, baaki open, jisse aurton ko full privacy mile. Samundar ki hawa, dholak ki thap, aur Magic Moments ki bottles yahan-wahan ludhak rahi thin. Mallu ladkiyan excited thin—unhone Haldi ki masti dekh li thi, aur ab yeh naya culture unhe apne rang mein le raha tha.
Manju Bhabhi poore rang mein aa chuki thin—unki saree ka pallu sarak gaya tha, maang mein sindoor, aur gaalon par nasha. Unka saath dene ke liye Rampur wali, naihar ki bhaujaiyan, Bharauti, Ahirane aur Nau Tola ki raseeli bhaujaiyan bhi utar aayi thin.
Sab ne milkar Bucchi ko nishana banaya—Bucchi sharm se jhuk gayi, kyunki woh kunwari thi, aur aaj raat ki gaaliyan uske liye nayi thin. Abhi bhi wo Ranjan ka paani apni choot main bhari baithii thii aur paani Choo Choo kar uskii jaanghon ko geela kar raha thaa...
"बुच्ची तेरी कौन-कौन से यारी, बताय दो ननद हमारी,
एक यारी सोनरा से है भाभी, टाँच-टाँच बुर मारी…"
Shital Mausi ne hans kar kaha—"अरे, बुच्ची के पास तो अभी कोई सींक भी नहीं गई! कच्ची कसी चूत है!" —sab hansne lagin.
Munna Bahu ne aage badh kar purana gaana cheda—
"लीपी-पोती ओखरिया हमारे बीर बलिया,
अरे, पिटारी उतारे चलें बुच्ची छिनारिया, अरे, भोंसड़ी में घुस गयी लकड़िया…"
Bucchi ka chehra laal ho gaya—usne katar nazron se apni maa Sushila Chachi ko dekha, par woh toh sabse zyada muskura rahi thin. Shaadi-byaah ke ghar mein is bebak batras aur khulepan ka hi toh asli maza tha.
Kanti Bua ne dholak ki thap tez ki, Champa Bua gaaliyon mein aur rang bhar rahi thin, aur saari aurtein jhoomne lagin. Kuch ne masti mein apne blouse khol diye—no blouse dress code tha aaj. Sirf saree ka upper pallu, nange kandhe, khuli choti, aur chhati ki halki si ubhaar jo har jhukav mein dikh jaati thi.
Mallu ladkiyan bhi ab beat par thirakne lagin—unke liye yeh sab naya tha, par maza aa raha tha. Kuch ne peg maara, toh kuch ne dholak pe haath thaap diya.
Aurton ne ek doosre ko chhedkhani shuru kar di—
"कल रात तेरे दूल्हे ने कितनी बार…?"
"तेरे पति का… इतना छोटा क्यों है?"
Har jawab ke saath gudgudi bhari hansi, aur nazron mein chhupa ek aur sawal.
---
Door, gallery ke uss paar—aadmiyon ka jhund khada tha.
Unhe andar aane ki ijazat nahi thi—par yeh ban hi unki ichhaon ko aur bhadka raha tha. Kuch uncle chupke se jhaank rahe the, kuch apni biwiyon ko dhundh rahe the, aur kuch bas mahaul ka maza le rahe the.
Varun bhi wahan khada tha—uski nazar Sharda ko dhundh rahi thi, jo andar thi, Kanti Bua ke saath dholak ke paas. Sharda ki saree ka pallu sarak gaya tha, aur uski chhati par pasina chamak raha tha.
Ranjan bhi wahan tha—Bucchi uski nazar mein thi, jo andar sharm se jhuki hui thi. Uska dil dhadak raha tha.
Anjali dulhan ke roop mein beech mein baithi thi—Kanti Bua ne uske haath par haldi lagayi, aur gaaliyon ka pura silsila uske naam par bhi chala.
---
Raat ke 2 baj gaye—nasha chadh chuka tha, aur mahaul apne charam par tha.
Kuch aurtein dholak ke paas naach rahi thin, kuch balcony mein khadi samundar ko dekh rahi thin, aur kuch apni saheliyon ke saath baithi gaaliyon ka daur chala rahi thin. Kanti Bua ne Magic Moments ka glass uthaya—"Cheers!" —aur sab ne saath mein piya.
Sharda ne door se Varun ko dekha—woh gallery ke uss paar khada tha, uski nazar us par thi. Sharda ne halki si muskaan di, aur apna pallu theek kiya—par uski aankhon mein woh chamak thi jo keh rahi thi, "Ruk ja… sabar kar…"
Bucchi ne apne aap ko sambhala—woh aaj ki raat ka hissa thi, aur uska dil dhadak raha tha. Ranjan door se usse dekh raha tha, aur dono ki nazren milin—ek pal ke liye, jaise koi wada.aur uskii pihu machal gayii aur khade khade hii paani chhodane lagii apne bhai ko dekh kar ...
Anjali ne bhi Ranjan ko dekha—dulha apni dulhan ko dhundh raha tha. Dono ki aankhen milin, aur Anjali muskura kar jhuk gayi........
Shaadishuda mahilaaye apne alag rang main "Khoiya" programme main thii—nasha mein dhutt, gaaliyan udati, zor-zor se hansti, aur sharaab ke ghoont ke saath apne bheetar ki garmi bhi khol deti hain.
Is baar sabne "no blouse" dress code rakha hai—sirf suit ya saree ka upper hissa, nange kandhe, khuli choti, aur chhati ki halki si ubhaar jo har jhukaav mein dikh jaati hai. Mahilaon ko lagta hai yeh unki khuli aazadi hai—jaise unke badan par likha ho: "Aaj raat main khud hoon—koi bahu nahi, koi beti nahi… sirf ek zinda aurat."
TOTAL WOMEN EMPOWERMENT....
.....
Kanti Bua dholak par haath rakh rahi hain—unki silky saree unke joban par tiki nahi, maang mein bharbharaata sindoor, aur gaalon par nasha. Champa Bua gaaliyon mein sur mila rahi hain—unki lipstick se range honth, aur unki nath chham-chham karti hai. Manju Bhabhi, Shital Mausi, Munna Bahu, Sushila Chachi—sab apne rang mein hain.
Mallu ladkiyan bhi ab beat par thirakne lagi hain—unke liye yeh sab naya hai, par maza aa raha hai. Peg maara ja raha hai, Magic Moments ki bottles ghoom rahi hain, aur dholak ki thap par kamar hilti hai.
Purushon ka andar jaana ban hai—par yahi ban unki ichhaon ko aur bhadka deta hai. Woh door, gallery ke uss paar khade hain—unhe sirf jhalak milti hai, awaazein milti hain, aur woh dekh rahe hain.
Baatien dheere-dheere gandi hone lagti hain—
"Kal raat tere dulhe ne kitni baar choda?"
"Tere pati ki land itni chhoti kyun hai?"
"Teri choot toh abhi tak kasi hui hai… kab khulegi?"
Har jawab ke saath gudgudi bhari hansi, aur nazron mein chhupa ek aur sawal: "Kal raat kaun chodega tujhe asal mein?"
Raat ke antim pehar—4-5 baj rahe hain. Nasha poora chadh chuka hai.
Mahilaayein dheere-dheere apne manpasand mard ki taraf khinchne lagti hain—full women empowerment. Koi apne yaar ke paas jaati hai, koi apne dost ke paas, koi chachi apne bhatije ke paas.aur abb aakhir pehar main mardon ne suraksha Chakra tod diya aur sab Khoiya kii jaadyui Dunia main aa gaye ...
Abbb ....
Ek kone mein behan apne bhai ke saath baithi hai—uski nangi ungli uski godi mein ghoom rahi hai, aur dost ki land apni dhadkan badha rahi hai. Dono ke beech koi shabd nahi—bas saansein, aur ek chhupi hui pyaas.
Chachi aur bhatija kone mein khade hain—chachi ki saree ka pallu neeche gir chuka hai, aur bhatije ka haath uski nangi kamar par fisal raha hai. Chachi ki aankhein band hain, par uske honth muskuraye hue hain.
Balcony mein ek jodi hai—bhai behan ke upar chadkar apni choot uski land par ghuma rahi hai, dono ki saansein samundar ki lehron mein ghul rahi hain. Koi kisi ko nahi dekh raha—bas apne apne nasha, apni apni garmi.
Chhat ke doosre kone mein—chachi apne bhatije ki garm chhati par jhuk kar uski naram jeebh se uski nangi chhati chaat rahi hai. Bhatija kaanp raha hai, par uske haath chachi ki kamar par mazbooti se jamme hue hain.
Raat ke antim pehar mein, har kone se halki si awaazein aati hain—siskiyan, gurrahat, aur dheemi dheemi cheekhein. Koi bedroom mein, koi balcony mein, koi chhat par—har jagah chupchaap chal rahi hai chudai ki leela.
Har jodi ke beech ek hi baat chhupi hai—aaj raat koi bhi rishta baadha nahi hai, sirf garm jism, geeli choot, aur ek-doosre ke naam par utarti saansein.
Aaj ki raat unke liye "sweekar" hai— jahan har aurat apne andar ki garmi ko bahar nikaalti hai, har mard apni land ko us jagah ghusaata hai jahan use lambe samay se zaroorat thi, aur har chudai ke saath yeh baat bhi chalti hai:
"Yeh raat sirf hamari hai… duniya ko nahi pata hona chahiye, par hamein pata hai—aaj raat hum sab ek-doosre ke hi the." Poore mahol mai Mohabbatein bikhari huii thii .... Saamne se Samudra ke ooper Suryaodya ho raha thaa...
Resort ke rooftop par khoiya ka program tha—ek aadha hall, baaki open, jisse aurton ko full privacy mile. Samundar ki hawa, dholak ki thap, aur Magic Moments ki bottles yahan-wahan ludhak rahi thin. Mallu ladkiyan excited thin—unhone Haldi ki masti dekh li thi, aur ab yeh naya culture unhe apne rang mein le raha tha.
Manju Bhabhi poore rang mein aa chuki thin—unki saree ka pallu sarak gaya tha, maang mein sindoor, aur gaalon par nasha. Unka saath dene ke liye Rampur wali, naihar ki bhaujaiyan, Bharauti, Ahirane aur Nau Tola ki raseeli bhaujaiyan bhi utar aayi thin.
Sab ne milkar Bucchi ko nishana banaya—Bucchi sharm se jhuk gayi, kyunki woh kunwari thi, aur aaj raat ki gaaliyan uske liye nayi thin. Abhi bhi wo Ranjan ka paani apni choot main bhari baithii thii aur paani Choo Choo kar uskii jaanghon ko geela kar raha thaa...
"बुच्ची तेरी कौन-कौन से यारी, बताय दो ननद हमारी,
एक यारी सोनरा से है भाभी, टाँच-टाँच बुर मारी…"
Shital Mausi ne hans kar kaha—"अरे, बुच्ची के पास तो अभी कोई सींक भी नहीं गई! कच्ची कसी चूत है!" —sab hansne lagin.
Munna Bahu ne aage badh kar purana gaana cheda—
"लीपी-पोती ओखरिया हमारे बीर बलिया,
अरे, पिटारी उतारे चलें बुच्ची छिनारिया, अरे, भोंसड़ी में घुस गयी लकड़िया…"
Bucchi ka chehra laal ho gaya—usne katar nazron se apni maa Sushila Chachi ko dekha, par woh toh sabse zyada muskura rahi thin. Shaadi-byaah ke ghar mein is bebak batras aur khulepan ka hi toh asli maza tha.
Kanti Bua ne dholak ki thap tez ki, Champa Bua gaaliyon mein aur rang bhar rahi thin, aur saari aurtein jhoomne lagin. Kuch ne masti mein apne blouse khol diye—no blouse dress code tha aaj. Sirf saree ka upper pallu, nange kandhe, khuli choti, aur chhati ki halki si ubhaar jo har jhukav mein dikh jaati thi.
Mallu ladkiyan bhi ab beat par thirakne lagin—unke liye yeh sab naya tha, par maza aa raha tha. Kuch ne peg maara, toh kuch ne dholak pe haath thaap diya.
Aurton ne ek doosre ko chhedkhani shuru kar di—
"कल रात तेरे दूल्हे ने कितनी बार…?"
"तेरे पति का… इतना छोटा क्यों है?"
Har jawab ke saath gudgudi bhari hansi, aur nazron mein chhupa ek aur sawal.
---
Door, gallery ke uss paar—aadmiyon ka jhund khada tha.
Unhe andar aane ki ijazat nahi thi—par yeh ban hi unki ichhaon ko aur bhadka raha tha. Kuch uncle chupke se jhaank rahe the, kuch apni biwiyon ko dhundh rahe the, aur kuch bas mahaul ka maza le rahe the.
Varun bhi wahan khada tha—uski nazar Sharda ko dhundh rahi thi, jo andar thi, Kanti Bua ke saath dholak ke paas. Sharda ki saree ka pallu sarak gaya tha, aur uski chhati par pasina chamak raha tha.
Ranjan bhi wahan tha—Bucchi uski nazar mein thi, jo andar sharm se jhuki hui thi. Uska dil dhadak raha tha.
Anjali dulhan ke roop mein beech mein baithi thi—Kanti Bua ne uske haath par haldi lagayi, aur gaaliyon ka pura silsila uske naam par bhi chala.
---
Raat ke 2 baj gaye—nasha chadh chuka tha, aur mahaul apne charam par tha.
Kuch aurtein dholak ke paas naach rahi thin, kuch balcony mein khadi samundar ko dekh rahi thin, aur kuch apni saheliyon ke saath baithi gaaliyon ka daur chala rahi thin. Kanti Bua ne Magic Moments ka glass uthaya—"Cheers!" —aur sab ne saath mein piya.
Sharda ne door se Varun ko dekha—woh gallery ke uss paar khada tha, uski nazar us par thi. Sharda ne halki si muskaan di, aur apna pallu theek kiya—par uski aankhon mein woh chamak thi jo keh rahi thi, "Ruk ja… sabar kar…"
Bucchi ne apne aap ko sambhala—woh aaj ki raat ka hissa thi, aur uska dil dhadak raha tha. Ranjan door se usse dekh raha tha, aur dono ki nazren milin—ek pal ke liye, jaise koi wada.aur uskii pihu machal gayii aur khade khade hii paani chhodane lagii apne bhai ko dekh kar ...
Anjali ne bhi Ranjan ko dekha—dulha apni dulhan ko dhundh raha tha. Dono ki aankhen milin, aur Anjali muskura kar jhuk gayi........
Shaadishuda mahilaaye apne alag rang main "Khoiya" programme main thii—nasha mein dhutt, gaaliyan udati, zor-zor se hansti, aur sharaab ke ghoont ke saath apne bheetar ki garmi bhi khol deti hain.
Is baar sabne "no blouse" dress code rakha hai—sirf suit ya saree ka upper hissa, nange kandhe, khuli choti, aur chhati ki halki si ubhaar jo har jhukaav mein dikh jaati hai. Mahilaon ko lagta hai yeh unki khuli aazadi hai—jaise unke badan par likha ho: "Aaj raat main khud hoon—koi bahu nahi, koi beti nahi… sirf ek zinda aurat."
TOTAL WOMEN EMPOWERMENT....
.....
Kanti Bua dholak par haath rakh rahi hain—unki silky saree unke joban par tiki nahi, maang mein bharbharaata sindoor, aur gaalon par nasha. Champa Bua gaaliyon mein sur mila rahi hain—unki lipstick se range honth, aur unki nath chham-chham karti hai. Manju Bhabhi, Shital Mausi, Munna Bahu, Sushila Chachi—sab apne rang mein hain.
Mallu ladkiyan bhi ab beat par thirakne lagi hain—unke liye yeh sab naya hai, par maza aa raha hai. Peg maara ja raha hai, Magic Moments ki bottles ghoom rahi hain, aur dholak ki thap par kamar hilti hai.
Purushon ka andar jaana ban hai—par yahi ban unki ichhaon ko aur bhadka deta hai. Woh door, gallery ke uss paar khade hain—unhe sirf jhalak milti hai, awaazein milti hain, aur woh dekh rahe hain.
Baatien dheere-dheere gandi hone lagti hain—
"Kal raat tere dulhe ne kitni baar choda?"
"Tere pati ki land itni chhoti kyun hai?"
"Teri choot toh abhi tak kasi hui hai… kab khulegi?"
Har jawab ke saath gudgudi bhari hansi, aur nazron mein chhupa ek aur sawal: "Kal raat kaun chodega tujhe asal mein?"
Raat ke antim pehar—4-5 baj rahe hain. Nasha poora chadh chuka hai.
Mahilaayein dheere-dheere apne manpasand mard ki taraf khinchne lagti hain—full women empowerment. Koi apne yaar ke paas jaati hai, koi apne dost ke paas, koi chachi apne bhatije ke paas.aur abb aakhir pehar main mardon ne suraksha Chakra tod diya aur sab Khoiya kii jaadyui Dunia main aa gaye ...
Abbb ....
Ek kone mein behan apne bhai ke saath baithi hai—uski nangi ungli uski godi mein ghoom rahi hai, aur dost ki land apni dhadkan badha rahi hai. Dono ke beech koi shabd nahi—bas saansein, aur ek chhupi hui pyaas.
Chachi aur bhatija kone mein khade hain—chachi ki saree ka pallu neeche gir chuka hai, aur bhatije ka haath uski nangi kamar par fisal raha hai. Chachi ki aankhein band hain, par uske honth muskuraye hue hain.
Balcony mein ek jodi hai—bhai behan ke upar chadkar apni choot uski land par ghuma rahi hai, dono ki saansein samundar ki lehron mein ghul rahi hain. Koi kisi ko nahi dekh raha—bas apne apne nasha, apni apni garmi.
Chhat ke doosre kone mein—chachi apne bhatije ki garm chhati par jhuk kar uski naram jeebh se uski nangi chhati chaat rahi hai. Bhatija kaanp raha hai, par uske haath chachi ki kamar par mazbooti se jamme hue hain.
Raat ke antim pehar mein, har kone se halki si awaazein aati hain—siskiyan, gurrahat, aur dheemi dheemi cheekhein. Koi bedroom mein, koi balcony mein, koi chhat par—har jagah chupchaap chal rahi hai chudai ki leela.
Har jodi ke beech ek hi baat chhupi hai—aaj raat koi bhi rishta baadha nahi hai, sirf garm jism, geeli choot, aur ek-doosre ke naam par utarti saansein.
Aaj ki raat unke liye "sweekar" hai— jahan har aurat apne andar ki garmi ko bahar nikaalti hai, har mard apni land ko us jagah ghusaata hai jahan use lambe samay se zaroorat thi, aur har chudai ke saath yeh baat bhi chalti hai:
"Yeh raat sirf hamari hai… duniya ko nahi pata hona chahiye, par hamein pata hai—aaj raat hum sab ek-doosre ke hi the." Poore mahol mai Mohabbatein bikhari huii thii .... Saamne se Samudra ke ooper Suryaodya ho raha thaa...
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