UPDATE 6
taang sain ne thoda sir hilaaya. chhipe hue hathiyaar banaane ke lie nishchit roop se lohaar banana usake lie sabase upayukt pasha(profession) tha,
“pitaajee, aap budhe(old) ho rahe hain. kuchh varshon tak, jab tak main thoda bada nahin ho jaata, krpaya mujhe rasoee ke aujaar(tools) banaane ke tareeke sikhaen aur mujhe ap apana kaam sambhaalane den. ”
pahale usane jo kuchh banaaya vah sabase sateek chhipe hue hathiyaar the, aur isake vipareet usane kabhee bhee sabase saral form nahin seekha tha.
taang hao thoda dhere, badabadaaya:
"lohaar bura bhee nahin lagata hai, ya to."
ek hee ghise-pite chair ko kheenchate hue, lohe ke us dher se seedhe baithate hue, vah dheere se bola:
"little sain, mujhe batao, kis tarah ka lohaar, sabase achchha lohaar hota h?."
taang sain ne isake baare mein socha, phir kaha:
"sarvashreshth lohaar divine tools(very powerful beings close to the power of Gods) mein saksham hona chaahie."
Graameenon(villagers) ne jo kuchh kaha, usake dvaara divine tools is duniya mein maujood the, bhale hee vah theek se nahin jaanate the ki divine tools kya the.
lekin divine kahe jaane ke kaaran, sambhavatah unhen bahut achchha hona chaahie.
taang hao kee aankhon mein haasy kee ek jhalak milee,
“divine tools? little sain ko divine tools ke baare mein bhee pata hai. phir mujhe batao, divine tools banaane ke lie kya upayog kiya jaana chaahie? "
taang sain ne socha ki yah apratyaashit tha, aur turant kaha:
"sabase achchhee materials, nishchit roop se."
taang hao ne apanee ungli ko badhaaya, aur ise taang sain ke chehare par laharaaya,
“yadi aap ek maastar lohaar(blacksmith) banana chaahate hain, to mere shabdon ko yaad rakhen: jo koee divine tools banaane ke lie sheersh shrenee kee saamagriyon(materials) ka upayog karta hai, wo sabase achchha lohaar nahin hai; adhikaansh mein yah keval ek synthesizer hai. sabase achchha lohaar aam(common) saamagree(materils) ka upayog kar divine tools banata h. "
"divine tools ko banaane ke lie saamaany lohe ka upayog karana?"
taang sain, kuchh had tak chaunka, taang hao ko dekha.
aamataur par, taang hao ne shaayad hee kabhee usase baat kee; yah din pahale se hee kisee bhee samay sabase adhik guna jaada baat ki hai.
khade hokar, taang hao ne kamare ke doosaree taraph lohe ke fifty square centimeter bade block kee or ishaara kiya,
“yadi aap ek lohaar banane ke baare mein soch rahe hain aur mujhase seekhane kee koshish kar rahe hain, to aapako isee das hazaar baar pahale is hathauda s hit karna hoga. tab kahin jake ap yogya ho paynge . ”
yah saadhaaran lohe ka ek block tha, jisamen kaee ashuddhiyaan(impurities) theen. lohe ke srot kee gaanth kee tulana mein, vah yah bhee nahin bata sakata tha ki yah kitana kharaab tha.
"abhee, aap abhee bhee apana man badal sakate hain."
taang hao ne udaaseenata se baat kee,
pahale se hee sone ke lie aantarik kamare mein vaapas jaane kee taiyaaree kar raha tha.
"pitaajee, main ise aajamaana chaahata hoon."
taang sain kee aavaaz spasht aur shaant thee, phir bhee dridh thee.
taang hao, kuchh had tak chintit, use dekha,
"theek hai."
ek shabd ke saath, lohe ke us bade block ko apanee baahon mein le liya, aur seedhe ise bhathee par rakha. jab tak koyale kee aag ko prajvalit kiya gaya, tab tak ise phorjing(shape dene) ke lie istemaal kiya ja sakata hai.
ise khatm karane ke baad, taang hao sone ke lie bheetar ke kamare mein laut aaya.
taang sain ek drdh sankalp vaale vyakti the. shushu shushu. bhathee se uthata hai, koyala bhatthee ke bheetar utsarjit lau, lohe kee us badee block ko jhulasaata hai. haalaanki taang sain ko koee technique nahin pata tha, unhonne taang hao ko har din use karte dekha tha, aur unhen sahee prakriya pata thee.
jis tarah lohe kee block dheere-dheere laal ho gaee thee, usane taang hao ke saamaany hathaude ko kheenchakar jameen par gira diya.
yah lambe samay tak sambhaala hua lohe ka hathauda bhee usase adhik lamba tha, aur ek saadhaaran 5 ya 6 saal ka bachcha ise bilkul bhee utha nahi sakta tha. lekin taang sain abhee bhee ise pakade hue tha. Mysterious hevan skill se poore shareer ko majabootee milatee hai, usake paas pahale se hee ek vayask kee tulana mein shaareerik shakti thee.
jab lohe ka hathauda lohe kee gaanth se baar-baar takaraata tha, to vah ek spasht aur madhur awaj ke saath bajata tha. yah taang sain kee pahalee hammer strike thee. andar ke kamare mein bistar par padee taang hao palat gaee. bhale hee usakee aankhen band theen, usakee chehare kee abhivyakti kuchh hairaan thee, usakee neend mein badabadaate hue
, "wo vaastav mein hathauda utha sakata hai, kya vah alaukik(superhuman) shakti ke saath paida hua tha?"
taang hao aur taang sain, pita aur putr, ne apane samrddh jeevan ko jaaree rakha, lekin ek antar ke saath: is din se shuroo hua, taang hao ne taang sain ko kamare mein ek aur bhatthee ke saath khelane diya, jisase lohe kee us block ko apane svayan ke bathee par rakha. unhonne kabhee bhi taang sain ko nirdesh nahin diya, lekin is din se, taang hao ka peene thoda kam ho gaya, aur parivaar ka bhojan(khana) bhee thoda badh gaya.
Forging(hathoda marna) ek bilkul neeras aur thaka dene wali prakriya thee, lekin taang sain ne abhee bhee ise apane shareer ka gussa karane ka sahee tareeka maana. jab 11 din beet chuke the, to vah pahale hee kaee baar Forging laga chuka tha, aisa mahasoos hua ki lohe ke hathaude se jhoolate hue, vah keval apane shareer kee shaareerik shakti par bharosa nahin kar pa raha tha, aur use Mysteriousheaven skill kee madad lenee padee.
usakee pooree taakat hathaude ko 100 baar jhoolane ke lie paryaapt thee. har baar jab uskee taakat lagabhag samaapt ho jaatee thee, to vah theek hone ke lie jameen par cross leg baithate the, aur ek baar jab unakee aantarik shakti theek ho jaatee thee, to ve turant hathauda marne laut jaate the
.
yah keval unake shareer ko gussa nahin tha. baar-baar girana aur ubarana, unakee mysterious hevan skill aur ichchhaashakti ko kam karane ka ek achchha tareeka bhee tha. durbhaagy se, mysterious hevan skill ka pahala tier tootna abhee bhee aisa lag raha tha ki yah ek abhedy avarodh(barrier) tha. taang sain kee practice ko painstaking(mehanti) nahin kaha ja sakata hai, lekin apanee paryaapt praakrtik pratibha(talent) ke saath, vah abhee bhee tootane aur second tier mein pravesh karane mein asamarth tha.
11 din k beet jane k bad,taang sain ne pahale hee 8000 se adhik baar hathaude ko maar diya tha, lohe kee block lagaataar chhotee hotee ja rahee thee. yah pahale se hee orignal ke ek-tihaee(1/3) se bhee kam tha. jaise-jaise unaka training and food quantity kee maatra badhatee gaee, unaka shareer thos ho gaya aur unakee shaareerik shakti dheere-dheere vikasit hone lagee. parinaamasvaroop, forging process ke dauraan, aantarik shakti kee khapat dheere-dheere kam ho gaee. aantarik shakti kee avadhi mein vrddhi ke saath, unakee shaareerik shakti mein bhee kaaphee vrddhi huee.
jab usne hathaude se ek hajaar baar neeche block ko mara, to vah lohe kee block nishchit roop se badal gaee thee; yah ek chhota sa chakr tha, aur bhale hee dhadhakatee aag ka kendr laal garm jal gaya tha, phir bhee vah behichak mahasoos kar sakata tha ki aantarik ashuddhiyaan ek bahut badee kamee aaee hain.
Gussa, yah shabd taang sain dimaag mein dikhaee diya. isane use aur bhee majabootee se das hajaar hathaude ke prahaar ko poora karane ke lie nirdhaarit kiya.aur is uddeshy kee dooree bahut kareeb thee.
taang sain kee drdhata ne taang hao ko bahut chakit kar diya. use yah prateet hua ki bhale hee usaka yah putr alaukik saamarthy ke saath paida hua ho, lekin itne dinon se lagatar kam karna asambhav h. lohe ke hathaude ke haindal ko phisalane se rokane ke lie mota kiya gaya tha, aur anivaary roop se haath kee hathelee par atyadhik choten aaengee. lekin unhen pata chala ki haalaanki taang sain eemaanadaaree se phorj(hathoda marna) kar rahe the, lekin unake yuva aur komal donon haathon mein badalaav nahin dikh raha tha. chhaale bhee nahin dikhaee die.