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in the movie Naukar Biwi Ka, however, it’s going to be OK: a real spanking, albeit a brief one.
As the story winds onward, three of the four people responsible for the betrothal, the children’s parents, die prematurely, the exception being Deepak’s (#Dharmendra) mother;
Jyoti (Anita raj) grows up in the care and custody of her wealthy grandfather, and becomes deeply spoilt.
When the widow Kumar goes to confirm the marital arrangements now that Jyoti and Deepak are of age, she gets exceptionally rude treatment from the arrogant Jyoti, who has fallen for another man.
Deepak vows to make her apologise. Meanwhile, Jyoti is having grandfather trouble, and schemes to stop the old man interfering by hiring someone to pose as her husband.
Deepak takes the job, fulfilling the title by becoming his ‘wife’s’ servant, and the rest of the very long movie shows how he wins her love, going from pretend to actual husband. He also spanks her during the first song, just over an hour into the film:
You can watch the film here.
As the story winds onward, three of the four people responsible for the betrothal, the children’s parents, die prematurely, the exception being Deepak’s (#Dharmendra) mother;
Jyoti (Anita raj) grows up in the care and custody of her wealthy grandfather, and becomes deeply spoilt.
When the widow Kumar goes to confirm the marital arrangements now that Jyoti and Deepak are of age, she gets exceptionally rude treatment from the arrogant Jyoti, who has fallen for another man.
Deepak vows to make her apologise. Meanwhile, Jyoti is having grandfather trouble, and schemes to stop the old man interfering by hiring someone to pose as her husband.
Deepak takes the job, fulfilling the title by becoming his ‘wife’s’ servant, and the rest of the very long movie shows how he wins her love, going from pretend to actual husband. He also spanks her during the first song, just over an hour into the film:
You can watch the film here.
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Made in 2000, the Hindi movie Kya Kehna – or, in English, What to Say – walks the line between feelgood Bollywood musical and uncomfortable social drama. The bubbly heroine Priya Bakshi, who stands up for what she believes in, is played by 25-year-old Preity Zinta, who (as a real-life commentator and columnist) is also known for standing up for what she believes in.
But Priya’s problems come to her not through standing up but lying down: at college, she gets friendly with, and gets pregnant by, a bounder who then refuses to marry her. All comes right in the end, not least thanks to another, more mature young man, Ajay, played by Chandrachur Singh. He has always secretly loved her, and ultimately gets her after she’s made her stand against the system.
The sequence that most interests us comes near the start of the film, when Ajay is at the railroad station waiting to greet Priya on her return from school. He starts to daydream, whereupon… cue a musical number in which Priya, wearing a pretty little dress (and, as we intermittently glimpse, white panties) leads him around town playing hard to get. One result of this is:
Nobody is going to claim that this is one of the great cinema spanking scenes. In fact, it’s nothing more than a cute impromptu moment in a cute imaginary sequence, which turns out, when Priya eventually arrives, to be completely unlike reality. But it’s still enjoyable, and the scene is well worth watching in its entirety:
Applause, please, for pretty Preity and her firm-handed co-star!
But Priya’s problems come to her not through standing up but lying down: at college, she gets friendly with, and gets pregnant by, a bounder who then refuses to marry her. All comes right in the end, not least thanks to another, more mature young man, Ajay, played by Chandrachur Singh. He has always secretly loved her, and ultimately gets her after she’s made her stand against the system.
The sequence that most interests us comes near the start of the film, when Ajay is at the railroad station waiting to greet Priya on her return from school. He starts to daydream, whereupon… cue a musical number in which Priya, wearing a pretty little dress (and, as we intermittently glimpse, white panties) leads him around town playing hard to get. One result of this is:
Nobody is going to claim that this is one of the great cinema spanking scenes. In fact, it’s nothing more than a cute impromptu moment in a cute imaginary sequence, which turns out, when Priya eventually arrives, to be completely unlike reality. But it’s still enjoyable, and the scene is well worth watching in its entirety:
Applause, please, for pretty Preity and her firm-handed co-star!
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But she won’t take no for an answer, despite a fairly clear indication of what’s in store if she won’t leave them alone:
Eventually she corners him on an open-topped bus:
Victory? No, spanking!
Like a lot of romantic Bollywood spankings, such as in the near-contemporaneous Kya Kehna, it’s just a playful, frisky moment, not to be taken any more seriously than any of the other mock-violence used to discourage her. And hurrah for that!
You can see the song here.
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Made in 2000, the Hindi movie Kya Kehna – or, in English, What to Say – walks the line between feelgood Bollywood musical and uncomfortable social drama. The bubbly heroine Priya Bakshi, who stands up for what she believes in, is played by 25-year-old Preity Zinta, who (as a real-life commentator and columnist) is also known for standing up for what she believes in.
But Priya’s problems come to her not through standing up but lying down: at college, she gets friendly with, and gets pregnant by, a bounder who then refuses to marry her. All comes right in the end, not least thanks to another, more mature young man, Ajay, played by Chandrachur Singh. He has always secretly loved her, and ultimately gets her after she’s made her stand against the system.
The sequence that most interests us comes near the start of the film, when Ajay is at the railroad station waiting to greet Priya on her return from school. He starts to daydream, whereupon… cue a musical number in which Priya, wearing a pretty little dress (and, as we intermittently glimpse, white panties) leads him around town playing hard to get. One result of this is:
Nobody is going to claim that this is one of the great cinema spanking scenes. In fact, it’s nothing more than a cute impromptu moment in a cute imaginary sequence, which turns out, when Priya eventually arrives, to be completely unlike reality. But it’s still enjoyable, and the scene is well worth watching in its entirety:
Applause, please, for pretty Preity and her firm-handed co-star!
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Proud Punjabi
Supreme
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