Arjun chair par baitha “premitive art of nature” ki kitab kholta hai. Uske pahle panne par ek chitr bani hui thi. Jise dekh kar dono ko sharm aane lagi.
Hua ye tha ki ye chitr kisi aur chij ka nahi balki ek mard aur aurat ki nangi tasvir thi jisme dono sex kar rahe the.
Un dono ko aise sharmate dekh, Alisa jo wahi khadi thi usne bola, “are itne me hi sharma gaye tum dono. Aage bahut kuchh hai jise dekh kar kya karogi.”
Rukmani aur Arjun uski baat sunkar chauk pade. Alisa aage bolna jari rakhti hai, “yah shadhna mantra bhog-vilash ke dev ka tha. Is shadhna mantr ko sambhog ke dauran upyog karne se purush aur stri dono ko hi yuddh shakti badhta hai. Halanki sambhog karne wale stri-purush ke premi hone par hi yah mantr kaam karta hai. Waise is mantr ka upyog sadharan sadhna mantr jaise bhi kar sakte hai.”
Alisa thoda rukte hue boli, “is mantr ki shadhna karne wale purush ki bahut hi adhik patniya hoti hai, bhog-vilash ke dev ki ek hazar patniya thi. Na jane kitne aur honge jo sabhi ke najro se chhupe honge.”
Alisa ki baat sunkar dono ki kaan se dhuan nikalne laga. Wahi Rukmani Arjun ko kuchh ajib najro se dekhne lagi. Rukmani ki ajib najro ko dekh Arjun ko raha nahi gaya. Wah fir se kitab ki or dekhne laga. Uspar sadhna mantr likha hua tha. “Brhmand ki rachna ke sath sath do viprit shaktiyo ki bhi rachna hui. Nar - nari, prakash - andhkar, thand - garm, shital - ushma ityadi. Jab do viparit shaktiya milti hai to ya to vinash hota hai ya fir prakriti ki sahayta se kuchh naya janm leta hai. Aisi hi ek shadhna ka naam hai primitive art of nature. Jo ki nar aur nari ya nar aur prakriti ke milan se watawaran se adhyatmik urja sharir me sokhta hai. Yah prakriti ke sabse uttam niyamo me se ek hia………….”
Rukmani aur Arjun dono apna apna kitab padh rahe the. Rukmani ki “light paragon” bahut hi patli thi. Usne jaldi hi khatm kar diya. Wahi Arjun abhi bhi padh raha tha. Alisa ne Rukmani ko ek room me bhej diya. Waha har kisi ke liye uska personal kamra tha. Jisko bahut sare bhag me bant diya gaya tha. Usme ek sadhna kaksh bhi tha. Rukmani apni shadhna ki shuruat karne lagi.
Markash grah par yodhhayo ko rank me banta jata hai. Sabse pahle Mortal rank aati hai. Jise 9 star me banta jata hai. Is rank me harek star ko char bhago me banta jata hai - entry, middle, high aur peak.
Mortal rank me harek bhag ko paar karne ke baad sharir ki shudhhi adhyatmik shakti dwara hoti hai.
[Baki sab rank ko aage aise hi bataya jayega.]
Arjun ko kitab ko pura padhne me panch ghante lag gaye the. Kitab me shadhna mantr ke sath sath sambhog karne ke asan, stri ko kaise khush karna hai ityadi ke bare me vistar se bataya gaya tha. Usme bahut sare asan ke chitr bhi the. Arjun ne jab kitab band ki to uske ankho me halke laal dore dikhai de rahe the. Wah uttejit ho chuka tha. Uske dimag me abhi bhi wahi sab chitr ghum rahe the. Uska sar fatne ko ho raha tha.
Kuchh der wah apne aap ko shant karta hai aur fir wah Alisa ki madad se apne kamre me chala jata hai. Wah shadhna kaksh me jakar mantr sadhna karne lagta hai. Jaise jaise wah mantr sadhna kar raha tha uske charo or rang birangi prakash bikhar rahi thi. Lal, pila, hara, baingni, safed, kala ityadi rang ki prakash kiran uske charo or bikher rahi thi. Ye sabhi adhyatmik shakti ke kan the.
Yaha par hare rang ke alag alag mayne hai. Lal rang agni tatva ka pratik hia. Prithvi/dharti ka pila, jal ka nila, wayu ka narangi aur Thunder(akash) ka bangni. Prakash ka safed aur andhkar ka kala. In sabhi ke alawa bhi anek milawati tatva paye jate hai. Lakdi/ped tatva ka rang Hara wahi barf tatwa ka rang jamuni hota hai.
Arjun ke charo or sare rang ghum rahe the. Jaise jaise Arjun dhyan me lin hota gaya, waise wasie uske charo or ke paraksh uske sharir me pravesh karte gaye.
Agar koi abhi Arjun ko sadhna karte hue dekh leta to wah behosh ho jata. Markash grah par yodhha kewal ek ya mushkil se do tarah ke adhyatmik tatwa ko hi awshoshit kar sakte the. Yaha par to sare ke sare tatw Arjun ke sharir me andar jaa rahe the. Jab prakash ki kirane Arjun ke sharir me jakar uske rakt me ghul kar ke sabhi bhag me pahunch rahe the. Waha jakar usmw baithe gandagi ya jahrili padarth ko nikal rahe the. Jisase uske sharir se kali chip chipi badbudar chij nikalane lagi. Uski yah shadhna lagbhag chaubis ghante tak chalti rahi. Jab uske sharir ne ab aur prakash ki kirano ko sokhna band kar diya tab usne apni shadhna tod di. Wah chaubis ghante me hi mortal rank ke first star ki entry level par pahunch gaya tha.
Wah apni sadhna todkar jaise hi apni ankhe kholta hai. Uske nako me ek tikhi durgandh pahuchti hai. Wah jaldi se jadui anguthi se bahar nikal jata hai. Alisa ne bataya tha ki wah apne man me sochne se hi wah anguthi ke andar bahar aa ja sakta hai.
Arjun jaldi se nadi me jakar kud gaya. Usne is baat par dhyan hi nahi diya ki Rukmani abhi nadi me hai. Rukmani ne Arjun ko nadi me kudate hue dekh liya tha. Wah jaldi se nadi se bahar nikal kar aayi. Lekin tabtak Arjun ki najar us par ja chuki thi. Wah Rukmani ke nange badan ko ek tak dekhne laga. Uske sar me ajib ajib picture ghum rahe the. Wah apne aap ko aisa karne se rokne ki koshis karta hai lekin wah rok nahi pata hai.
Wahi Rukmani Arjun ki tak taki lagai najar, uski lal ankhe aur lal gaal dekh kar samajh jati hai ki Arjun kya soch raha hai. Use bhi sharm aati hai. Fir use Alisa ki baat yaad aati hai. Wah apne aap me sochne lagti hai, “agar Arjun aise hi sharmata raha to yah ladkiyon se kaise baat kar payega. Agar ladkiyo se baat nahi kar paya to koi ladki bhi ise pasand nahi karegi. Arjun ko ladkiyo se baat karna unka khyal rakhna aur bhi bahut kuchh ana chahiye. Arjun ke koi dost bhi nahi hai jo log use ye sab bata sake. Le de kar use apna kahne wali mai hi bachi hui hu. Mujhe hi kuchh karna padega taki wah mere sath khul kar bate kar sake.”
Rukmani apne man ko majbut karke nadi me utar jati hai.
Word Count: 1134
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