Vk248517
I love Fantasy and Sci-fiction story.
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congrats for new storyHello Friends! Me apni ek story likh raha hun jo basically ek anime s related h, umeed karta hun y story pasand aygi
Update 4
is duniya mein aane ke baad se, taang sain ko shuroo mein jhataka aur dar laga tha. lekin, baad m uttejana ke saath-saath vartamaan shaanti ke saath, vah pahale se hee sachai ko pooree tarah se sveekaar kar chuka tha. yahaan, vah apane pichhale attet(past) mein sabase badee ichchha ka ehasaas karane mein saksham ho sakata hai.
qunki wo is duniya mein nagn aaya, taang sain ke paas abhee bhee sabase badee(bi sampatti thee: usakee smrti(memory). Aur baharee(outer) taang sampradaay ke sabase genious ke roop mein, taang sampradaay ke vibhinn tantron(mechanism) ke nirmaan ke tareeke, jinamen chhipe hue hathiyaar shaamil the, sabhee uske dimaag mein utkeern the. isake alaava, unhonne inner tang sampradaay kee rare script ke saath band kar diya tha jo ki vah kaee varshon tak uska use karane ke lie taiyaar the aur isake saath, taang sain ne is duniya mein taang sampradaay ke pratibhaashaalee hone kee ummeed kee thee.
"vaapas jaane ka samay ho gya"
taang sain ne aakaash(sky) ke rang par gaur kiya, unaka patala aur chhota shareer uchhal gaya aur vah parvat ke neeche pauch gaya. agar is samay kisee kee najar us par padee, to ve nishchit roop se ascharya mein chaudee aankhon se ghoor rahe honge. uska pratyek kadam chaunkaane vaala tha. pahaad kee daraaren aur asamaan zameen us par koee asar nahin daal sakatee kyonki usane sahajata se chakma diya aur tezee se khulane ke beech aage badhee. yahaan tak ki elders kee tulana mein vah abhee bhee bahut tej hoga.
taang sampradaay ka saar kya tha? chhipe hue hathiyaar, zahar(poison) aur lighteness skill. inner aur outer taing sampraday ke beech sabase bada antar chhipe hathiyaaron ke upayog ke tareekon ka tha. baaharee sampradaay ne tantron(mechanism) ko praathamikata dee, aur aantarik sampradaay ke lie main standard unki techniques thee. zahar ka upayog vaise hee ek baaharee sampradaay kee pratibha thee, jabaki aantarik sampradaay mein, chippe(hidden) hua hathiyaro ko master s student ko dena unki pratibha thi .
is duniya mein aane ke baad se, taang sain ko shuroo mein jhataka aur dar laga tha. lekin, baad m uttejana ke saath-saath vartamaan shaanti ke saath, vah pahale se hee sachai ko pooree tarah se sveekaar kar chuka tha. yahaan, vah apane pichhale attet(past) mein sabase badee ichchha ka ehasaas karane mein saksham ho sakata hai.
qunki wo is duniya mein nagn aaya, taang sain ke paas abhee bhee sabase badee(bi sampatti thee: usakee smrti(memory). Aur baharee(outer) taang sampradaay ke sabase genious ke roop mein, taang sampradaay ke vibhinn tantron(mechanism) ke nirmaan ke tareeke, jinamen chhipe hue hathiyaar shaamil the, sabhee uske dimaag mein utkeern the. isake alaava, unhonne inner tang sampradaay kee rare script ke saath band kar diya tha jo ki vah kaee varshon tak uska use karane ke lie taiyaar the aur isake saath, taang sain ne is duniya mein taang sampradaay ke pratibhaashaalee hone kee ummeed kee thee.
"vaapas jaane ka samay ho gya"
taang sain ne aakaash(sky) ke rang par gaur kiya, unaka patala aur chhota shareer uchhal gaya aur vah parvat ke neeche pauch gaya. agar is samay kisee kee najar us par padee, to ve nishchit roop se ascharya mein chaudee aankhon se ghoor rahe honge. uska pratyek kadam chaunkaane vaala tha. pahaad kee daraaren aur asamaan zameen us par koee asar nahin daal sakatee kyonki usane sahajata se chakma diya aur tezee se khulane ke beech aage badhee. yahaan tak ki elders kee tulana mein vah abhee bhee bahut tej hoga.
taang sampradaay ka saar kya tha? chhipe hue hathiyaar, zahar(poison) aur lighteness skill. inner aur outer taing sampraday ke beech sabase bada antar chhipe hathiyaaron ke upayog ke tareekon ka tha. baaharee sampradaay ne tantron(mechanism) ko praathamikata dee, aur aantarik sampradaay ke lie main standard unki techniques thee. zahar ka upayog vaise hee ek baaharee sampradaay kee pratibha thee, jabaki aantarik sampradaay mein, chippe(hidden) hua hathiyaro ko master s student ko dena unki pratibha thi .
Update 5
Mysterious Heaven Treasure Record keval 6 prakaar ke maarshal techniques ka varnan karata hai:
1. Inner strength internal technique Mysterious Heaven Skill (method for training internal qi. This allows to resist extreme pressure, poison and helps with recovering injuries.)
2. hand skill practice technique Mysterious Jade Hand (Mysterious Jade Hand kee vajah se haath kee hathelee behad sakht aur tany ho jaatee hai. isake alaava, yah kisee bhee jahar(poison) ko baadhit kar sakata hai)
3. vision cultivation technique Purple Demon Eye(to improve vision)
4. capturing technique Controlling Crane Capturing Dragon(method of improving his coordination and strength)
5. light body technique Ghost Shadow Perplexing Track(yah ek movement aur balanced technique hai jo taang sain ko extreme speed aur kafi muskhil attack ko dodge karne m madat karti h)
6. hidden weapon use technique, Hidden Weapon Hundred Separation
pahale 5 techniques bahut sadharn theen; sab ke baad, ek majaboot neenv ke bina, taang sampradaay ke chhipe hue hathiyaaron ko kaise saamane laaya ja sakata hai?, yah technique sirf tang sain hi janta tha.
1 varsh kee umr mein Mysterious Heaven Skill ka use shuroo karane ke baad, taang sain, jo abhi lagabhag 6 saal ka tha, abhee bhee starting(foundation) stage m tha..
taang sain ka parivaar Holy Spirit village ke pashchim mein, gaanv ke mukhiya ke sthaan par rahata tha. poore ghar mein teen kamare thn, jo kee mittee ka eent s bane hua thn. isamen daravaaje ke oopar ek meetar kee lakadee kee pattika thee, jise ek saadhaaran hathaude se chitrit(design) kiya gaya tha.
is duniya mein hathauda ek lohaar(blacksmith) ka sabase vyaapak prateek tha. ye sahee hai. taang sain ke pita taang hao ek lohaar the, jo gaanv ke ekamaatr lohaar thn.
is duniya mein, lohaar ko vyavasaayon(profession) ka humble(namr) kaha ja sakata hai. isaka kaaran yah hai ki is duniya ke sarvashreshth hathiyaaron mein se ek h hathauda .
phir bhee, jaisa ki is gaanv ke ekamaatr nipun lohaar hain, pher bhee tang sain ke parivar ki ayy(income) ise jada pravabhit nahi thn ......
ghar mein pravesh karate hue, taang sain ko pahale se hee sugandhit chaaval kee gandh aa rahee thee. vah taang hao naashta nahin bana raha tha; balki tang sain n taang hao ke lie khaana banaaya tha.
4 saal kee umr se shuroo hone se pahale, taang sain kitchen counter tak pahunchane ke lie kaaphee lamba tha, khaana banaana pahale se hee usaka dainik kaary tha;
yahaan tak ki agar use rasoee counter ke top tak pahunchane mein saksham hone ke lie ek stool par khada hona padta tha. aisa isalie nahin tha kyonki taang hao ne isakee maang kee thee, balki isalie ki agar vah aisa nahin karate to taang sain vyaavahaarik roop se kabhee bhee apana pet nahin bhar paenge.
"pita jee, bhojan."
taang sain n bulaaya.
ek lambe samay ke baad, bheetaree kamare ka daravaaza khatakhataaya, aur ek bada aankada kuchh ladakhadaate kadamon ke ek admi bahar aya.
yah ek madhyam aayu varg ka vyakti tha, usakee upasthiti 50 saal ke kareeb lag rahee thee. unka kad abhee bhee asaadhaaran roop se bada aur kathor tha.
Yah is duniya mein taang sain ke pita taang hao the.
bade hone ke dauraan, taang sain ne kabhee nahin jaana ki pitr prem kya tha. jis tarah se taang hao ne usake saath vyavahaar kiya vah hamesha se ek jaisa tha, shuruaat se hee sahee tha. Haalaanki wo uske khaane ke lie thoda khaana banaana jaanata tha, lekin phir bhee, jaise-jaise samay beetata gaya, taang sain ne khaana pakaane ke lie pahal karana shuroo kar diya.
is tarah unaka ghar itana kharaab ho gaya ki unake paas baithne k lia furniture bhee nahin tha. bhojan bhee ek samaya ka tha, mukhy roop se taang hao k karan jo apna jada tar income sharab peene m laga dete thn.
jabaki taang sain ek bada bachcha tha, usake pita bhee lagabhag 30 saal ke the, 30saal kee umr se pahale hee itanee jaldee shaadee kar lee, lekin taang hao kee tulana kisee bade vyakti se nahin kee jaanee chaahie, balki vah taang sain ke daada se milata julata tha.
taang hao ke vyavahaar ke sambandh mein, taang sain ne koee naaraajagee nahin Jahir karte thn. apane poorv jeevanakaal mein, vah ek anaath tha. is jeevanakaal mein, bhale hee taang hao ne usake saath bura vyavahaar kiya, lekin usake paas kam se kam parivaar tha. taang sain ke lie, yah pahale se hee use chiz ka ehasaas karaata tha. kam se kam yahaan ek vyakti tha jise vah pita kah sakata tha.
taang hao ne katore ko mej se pakada, garam ke baare mein chintit nahin tha, aur bade tezi k sath unhone kahana apne pet m dal lia.
"pitaajee, dheema, yah abhee bhee garm hai."
taang sain ne apane pita ke haath se katora liya aur ise phir s khane se bhar diya.
usane apana katora bhee uthaaya khane k lia.
taang sampradaay mein, wo bahut kam hee baaharee maamalon ke sampark mein aaya tha.. bahut jaldee, saat ya aath katore ke saath daliya ka ek bartan taang hao ke pet mein pravesh kar gaya. ek saans chhodate hue, unhonne katore ko tebal par rakha.
taang sain ko dekhate hue, jhuki palaken kuchh had tak khul gaeen. unhonne kaha,
“tum apna kaam jaaree rakho, main dopahar mein kaam karoonga. main thodee der so jaoonga. ”
taang hao ke kaam aur aaraam kee aadat ka ek bahut hee niyamit pattern tha: pooree subah sona, dopahar mein khet ke kuchh upakaran banaana, income praapt karana aur shaam ko peena.
"theek hai pitaajee."
taang sain ne sir hilaaya.
taang hao khada ho gaya. aur bheetar ke kamare kee or chala gaya.
"pita jee."
taang sain ne achaanak unhe bulaya.
taang hao ruk gaya, use dekhane ke lie apana sir ghumaya, uski ankhein spasht roop se thoda adheerata ka sanket de rahe the.
taang sain ne ek kone par ishaara kiya jisamen kaale lohe ke chamakate hue tukade rakhe hote hain:
"lohe ke ye tukade, kya aap unhen mujhe istemaal karane ke lie de sakate hain?"
apane pichhale avataar mein vah taang sampradaay ke sabase utkrsht baaharee sampradaay ke shishy the, ve har tarah ke chhipe hue hathiyaar ke nirmaan se sabase adhik parichit the. svaabhaavik roop se, vaapas to taang sampradaay dvaara sabhee prakaar kee saamagree kee aapoorti kee gaee thee.
lekin is naee duniya mein, haalaanki unhonne kaee varshon ka abhyaas kiya, lekin unakee taakat abhee bhee paryaapt nahin thee.
isake alaava, vah sabase unnat chhipe hue hathiyaaron ke nirmaan mein koee kasar nahin chhodana chaahata tha. ab tak usane pahale se hee kuchh chhipe hue hathiyaaron ko banaane kee koshish kee thee, lekin paryaapt saamagree dhoondhana bada mudda tha.
taang hao ne graameenon(villagers) se praapt dhaatu se jaalee krshi(farming) upakaran(tools) banae. thn wo uske bache hua tukde thn,
"huh. kya yah theek loha nahin hai?”
nazar uthaane ke lie chalate hue, usane taang sain ko dekhane ke lie apana sir ghumaaya,
"aap ek lohaar banana chaahate hain?"
Mysterious Heaven Treasure Record keval 6 prakaar ke maarshal techniques ka varnan karata hai:
1. Inner strength internal technique Mysterious Heaven Skill (method for training internal qi. This allows to resist extreme pressure, poison and helps with recovering injuries.)
2. hand skill practice technique Mysterious Jade Hand (Mysterious Jade Hand kee vajah se haath kee hathelee behad sakht aur tany ho jaatee hai. isake alaava, yah kisee bhee jahar(poison) ko baadhit kar sakata hai)
3. vision cultivation technique Purple Demon Eye(to improve vision)
4. capturing technique Controlling Crane Capturing Dragon(method of improving his coordination and strength)
5. light body technique Ghost Shadow Perplexing Track(yah ek movement aur balanced technique hai jo taang sain ko extreme speed aur kafi muskhil attack ko dodge karne m madat karti h)
6. hidden weapon use technique, Hidden Weapon Hundred Separation
pahale 5 techniques bahut sadharn theen; sab ke baad, ek majaboot neenv ke bina, taang sampradaay ke chhipe hue hathiyaaron ko kaise saamane laaya ja sakata hai?, yah technique sirf tang sain hi janta tha.
1 varsh kee umr mein Mysterious Heaven Skill ka use shuroo karane ke baad, taang sain, jo abhi lagabhag 6 saal ka tha, abhee bhee starting(foundation) stage m tha..
taang sain ka parivaar Holy Spirit village ke pashchim mein, gaanv ke mukhiya ke sthaan par rahata tha. poore ghar mein teen kamare thn, jo kee mittee ka eent s bane hua thn. isamen daravaaje ke oopar ek meetar kee lakadee kee pattika thee, jise ek saadhaaran hathaude se chitrit(design) kiya gaya tha.
is duniya mein hathauda ek lohaar(blacksmith) ka sabase vyaapak prateek tha. ye sahee hai. taang sain ke pita taang hao ek lohaar the, jo gaanv ke ekamaatr lohaar thn.
is duniya mein, lohaar ko vyavasaayon(profession) ka humble(namr) kaha ja sakata hai. isaka kaaran yah hai ki is duniya ke sarvashreshth hathiyaaron mein se ek h hathauda .
phir bhee, jaisa ki is gaanv ke ekamaatr nipun lohaar hain, pher bhee tang sain ke parivar ki ayy(income) ise jada pravabhit nahi thn ......
ghar mein pravesh karate hue, taang sain ko pahale se hee sugandhit chaaval kee gandh aa rahee thee. vah taang hao naashta nahin bana raha tha; balki tang sain n taang hao ke lie khaana banaaya tha.
4 saal kee umr se shuroo hone se pahale, taang sain kitchen counter tak pahunchane ke lie kaaphee lamba tha, khaana banaana pahale se hee usaka dainik kaary tha;
yahaan tak ki agar use rasoee counter ke top tak pahunchane mein saksham hone ke lie ek stool par khada hona padta tha. aisa isalie nahin tha kyonki taang hao ne isakee maang kee thee, balki isalie ki agar vah aisa nahin karate to taang sain vyaavahaarik roop se kabhee bhee apana pet nahin bhar paenge.
"pita jee, bhojan."
taang sain n bulaaya.
ek lambe samay ke baad, bheetaree kamare ka daravaaza khatakhataaya, aur ek bada aankada kuchh ladakhadaate kadamon ke ek admi bahar aya.
yah ek madhyam aayu varg ka vyakti tha, usakee upasthiti 50 saal ke kareeb lag rahee thee. unka kad abhee bhee asaadhaaran roop se bada aur kathor tha.
Yah is duniya mein taang sain ke pita taang hao the.
bade hone ke dauraan, taang sain ne kabhee nahin jaana ki pitr prem kya tha. jis tarah se taang hao ne usake saath vyavahaar kiya vah hamesha se ek jaisa tha, shuruaat se hee sahee tha. Haalaanki wo uske khaane ke lie thoda khaana banaana jaanata tha, lekin phir bhee, jaise-jaise samay beetata gaya, taang sain ne khaana pakaane ke lie pahal karana shuroo kar diya.
is tarah unaka ghar itana kharaab ho gaya ki unake paas baithne k lia furniture bhee nahin tha. bhojan bhee ek samaya ka tha, mukhy roop se taang hao k karan jo apna jada tar income sharab peene m laga dete thn.
jabaki taang sain ek bada bachcha tha, usake pita bhee lagabhag 30 saal ke the, 30saal kee umr se pahale hee itanee jaldee shaadee kar lee, lekin taang hao kee tulana kisee bade vyakti se nahin kee jaanee chaahie, balki vah taang sain ke daada se milata julata tha.
taang hao ke vyavahaar ke sambandh mein, taang sain ne koee naaraajagee nahin Jahir karte thn. apane poorv jeevanakaal mein, vah ek anaath tha. is jeevanakaal mein, bhale hee taang hao ne usake saath bura vyavahaar kiya, lekin usake paas kam se kam parivaar tha. taang sain ke lie, yah pahale se hee use chiz ka ehasaas karaata tha. kam se kam yahaan ek vyakti tha jise vah pita kah sakata tha.
taang hao ne katore ko mej se pakada, garam ke baare mein chintit nahin tha, aur bade tezi k sath unhone kahana apne pet m dal lia.
"pitaajee, dheema, yah abhee bhee garm hai."
taang sain ne apane pita ke haath se katora liya aur ise phir s khane se bhar diya.
usane apana katora bhee uthaaya khane k lia.
taang sampradaay mein, wo bahut kam hee baaharee maamalon ke sampark mein aaya tha.. bahut jaldee, saat ya aath katore ke saath daliya ka ek bartan taang hao ke pet mein pravesh kar gaya. ek saans chhodate hue, unhonne katore ko tebal par rakha.
taang sain ko dekhate hue, jhuki palaken kuchh had tak khul gaeen. unhonne kaha,
“tum apna kaam jaaree rakho, main dopahar mein kaam karoonga. main thodee der so jaoonga. ”
taang hao ke kaam aur aaraam kee aadat ka ek bahut hee niyamit pattern tha: pooree subah sona, dopahar mein khet ke kuchh upakaran banaana, income praapt karana aur shaam ko peena.
"theek hai pitaajee."
taang sain ne sir hilaaya.
taang hao khada ho gaya. aur bheetar ke kamare kee or chala gaya.
"pita jee."
taang sain ne achaanak unhe bulaya.
taang hao ruk gaya, use dekhane ke lie apana sir ghumaya, uski ankhein spasht roop se thoda adheerata ka sanket de rahe the.
taang sain ne ek kone par ishaara kiya jisamen kaale lohe ke chamakate hue tukade rakhe hote hain:
"lohe ke ye tukade, kya aap unhen mujhe istemaal karane ke lie de sakate hain?"
apane pichhale avataar mein vah taang sampradaay ke sabase utkrsht baaharee sampradaay ke shishy the, ve har tarah ke chhipe hue hathiyaar ke nirmaan se sabase adhik parichit the. svaabhaavik roop se, vaapas to taang sampradaay dvaara sabhee prakaar kee saamagree kee aapoorti kee gaee thee.
lekin is naee duniya mein, haalaanki unhonne kaee varshon ka abhyaas kiya, lekin unakee taakat abhee bhee paryaapt nahin thee.
isake alaava, vah sabase unnat chhipe hue hathiyaaron ke nirmaan mein koee kasar nahin chhodana chaahata tha. ab tak usane pahale se hee kuchh chhipe hue hathiyaaron ko banaane kee koshish kee thee, lekin paryaapt saamagree dhoondhana bada mudda tha.
taang hao ne graameenon(villagers) se praapt dhaatu se jaalee krshi(farming) upakaran(tools) banae. thn wo uske bache hua tukde thn,
"huh. kya yah theek loha nahin hai?”
nazar uthaane ke lie chalate hue, usane taang sain ko dekhane ke lie apana sir ghumaaya,
"aap ek lohaar banana chaahate hain?"
Last edited:
Killerpanditji(pandit)
Well-Known Member
- 10,269
- 38,686
- 258
Nice update broUpdate 2
jab baaharee sampradaay ke shishyon ne aantarik(inner) panth ke elders se mulaakaat kee, to unhen abhivaadan(greeting) mein ghutane tekane pade, lekin abhee tang sain aage nahin badhe, unhonne shaanti se in gambheer roop se saamane aae elders ko dekha. unhonne(elders) bhaagane ke sabhee maargon ko avaruddh(block) kar diya tha, aur usake(tang sain) peechhe keval Hell’s Peak thee.
Three Buddha Fury Tang Lotuses ko neeche rakhate hue, taang sain ne unhen ek aakhiree anichchhuk nazar s dekha, uske face p ne ek krtagy muskaan dikhaee di. aakhirakaar, vah safal ho gaya tha. 20 varshon ke prayaas ke saath, usne antim roop se taang baaharee(outer) sampradaay ke is kaam ko poora kiya; us tarah kee santoshajanak(satisfactory) upalabdhi ko shabdon mein bayaan nahin kiya ja sakata hai.
is pal mein, taang sain ne khud ko socha, sab kuchh pahale se hee mahatvaheen tha. sampradaay ke niyamon ka ullanghan karana bhee theek tha, jeevan aur mrtyu ke maamale theek the. jaahir hai, usake saamane in Three khilane vaale taang lotus ke saath sab kuchh samaapt ho jaega. buddha fury tang lotus, yah duniya ka sabase shaktishaalee chhipa(hidden) hathiyaar uske haathon mein paida hua tha. apane poore jeevan mein, kya chhipa hua hathiyaar tang sain ko isase jyaada utsaahit kar sakata tha?
"mujhe pata hai, aantarik(inner) sampradaay mein ghusane aur gupt sampradaay vidya choree karane ke aparaadh ko maaf nahin kiya ja sakata hai, sampradaay ke niyamon ke anusaar bardaasht nahin kiya ja sakata hai. lekin taang sain swarg kee pratigya kar sakate hain, ki chori kee gaee thodee see bhee gupt gyaan kee kitaaben(books) baaharee duniya mein na pahunch jayngee. main yah kahata hoon, elders kee daya praapt karane kee aasha mein nahin, balki keval elders ko yah bataane ke lie ki taang sain apanee jadon(source) ko kabhee nahin bhoole hain. ” .
taang sain ka mood is samay bahut shaant tha; shaayad, yah unake jeevan ka sabase shaant pal tha. us vistaarak praacheen taang sampradaay ke compound ko parvat ke oopar se dekhate hue, taang sampradaay ke vaataavaran ko mahasoos karate hue, taang sain kee aankhen nam ho gaeen. jaha tak wo yaad kar sakata hai, yah bhee kaha ja sakata hai ki vah taang sampradaay ke lie paida hua tha, lekin abhee, use apanee aajeevan khoj ke lie taang sampradaay ko bhee chhodana pada.
elders sabhee avaak(speechless) thn. abhee elders, Buddha fury taang lotus kee upasthiti se ubhar nahi pay thn. 200 varshon ke baad, poore 200 varshon ke baad, buddh fury taang lotus apratyaashit roop se ek baaharee sampradaay ke student ke haathon mein dikhaee diya tha, yah kya darshaata hai? is bhoomi mein, yah asaadhaaran chhipa(hidden) hathiyar jo ki taang sampradaay ke apane logon ka bhee nahin tha, taang sampradaay ke doosare shikhar ke drshtikon ka pooree tarah se pratinidhitv kar sakata tha.
bina bole apane sir jhukaate hue elders kee or dekhate hue taang sain ne muskuraate hue kaha,
"taang sain kee har cheej taang sampradaay dvaara dee gaee thee, chaahe vah jeevan ho ya kshamataen(abilities), sabhee ko taang sampradaay dvaara diya gaya tha. koee phark nahin padata jab, jeevan mein taang sain taang sampradaay ke ek bhoot kee maut mein taang sampradaay ka ek vyakti hai. mujhe pata hai ki elders baaharee sampradaay ke student kee body ko tang sampradaay m rahne kee anumati nahin denge, jo taang sampradaay mein rahane ke lie sampradaay ke niyamon ka ullanghan karata hai; isalie, mujhe is ba-shoo mein svaabhaavik roop se mitti m mil jane dijiye "
taang sain itana shaant tha ki usakee kuchh uttejit aavaaj ne bhee aakhirakaar elders ko rula diya, jab elders ne use dekhane ke lie apane sir uthae, to unhonne dekha ki qi ki white energy ek flash mein us se phail rahee hain.
“Mysterious Heaven Treasure Record, kya tumne bhee sampradaay kee highest inner strength technique , Mysterious Heaven Treasure Record seekhi hai?”
taang da ne anajaane mein roya.
ek visphot(blast) ke saath, jaisa hi elders ke group ne apratyaashit roop se bhee bachane ke lie peechhe hat gae, unhonne taang sain ko dekha jo pooree tarah se nagn the.
taang sain shaanadaar dhang se muskuraaya,
“main nagn avastha mein aaya, aur nagn avastha mein vida ho jaoonga. buddha fury taang Lotus sampradaay ke lie taang sain ka antim upahaar hai. apane aap ke alaava, main taang sampradaay ke kuchh bhee nahin le jaata, gupt kitaaben mere kamare mein pahalee eent(brick) ke neeche hain. taang sain ab sab kuchh taang sampradaay ko lauta dega. ”
"hahahahahahah ... ...."
taang sain achaanak peechhe kee or kadam badhaate hue betahaasha hansate hue aakaash kee or badhe. is moment mein, taang sampradaay ke elders ko achaanak pata chala, apratyaashit roop se kisee ke paas abhee bhee use rokne ka samay nahin tha.
white light mein lipate uskee shareer ne khud ko hell’s peak se door phenk diya, khaalee hava mein baahar nikalakar, baadalon mein kadam rakhate hue aur pahaad ke chaaron or dhundh(smoke) ho gaee.
"stop!"
taang da ne aakhirakaar pratikriya vyakt kee, lekin abhee kuchh bhee kahane mein pahale hee bahut der ho chukee thee.
baadalon aur dhundh bahut ghane the, nami(humidity) kee laharen lahra rahe the, dhoop ko door le ja rahe the, aur yah bhee ki taang sain jisaka poora jeevan taang sampradaay aur chhipe hue hathiyaaron ko samarpit tha.
samay sthir lag raha tha. taang da ke haath kaamp uthe kyonki unhonne un three taang lotas ko pakad liya, unakee aankhen nam ho gaeen,
“taang sain, aah, taang sain, aapako kyon takaleeph huee? apke dwaara laaya gaya surprise vaastav mein bahut adhik tha, bahut adhik …… ”
" Eldest brother."
ek doosara elder aage badha,
"aapako is tarah ek Dhongi ka shok nahi karana chaahie?"
taang da kee look ek pal mein thandee ho gaee, thandee hava unake shareer ko dhank rahee thee, second elder ki taraf dakh k,
"aap ko kaun kahate hain ki wo ek paakhandee hai? kya tumane kabhee ek paakhandee dekha hai jo sampradaay kee sabase durlabh kitaaben praapt kar sakata hai aur baad mein palaayan nahin kiya? kya aapane ek paakhandee ko dekha hai jo apane aadarshon ke lie mar jaega? kya aapane kisee chhipe hue hathiyaar ko kisee taang sampradaay visheshagy ko nasht karane ke lie paryaapt roop se pareshaan karate dekha hai, bajaay isake ki vah sampradaay ko apane antim kaary ke roop mein prastut kare? taang sain koee paakhandee nahin tha, vah 200 varshon mein hamaaree sabase utkrsht pratibha thn. ”
second elder ne moorkhata se dekha,
"lekin, usane sampradaay se vidya chura lee ... ..."
taang da achaanak bole
,
“yadi aap Buddha fury taang lotus ka utpaadan karane mein saksham the, to mujhe koee phark nahin padata ki aapane kya churaaya hai. aap galat the, main galat tha, is ateet ke kshan mein, ham vaastav mein asahaay roop se dekhate the ki taang sampradaay ke gaurav ka avasar phir se hamaaree aankhon ke saamane se door ho gaya. "
elders ne gol(round) ghera banaya, unakee abhivyakti sabhee jatil, kuchh hairaan, kuchh udaas, kuchh surprise, phir bhee adhik aphasosajanak the.
“kuchh kahane kee jaroorat nahin. mere aadesh ko paas karen, sabhee student ko ravaana karen, Hell’s Peak ke neeche taang sain kee talaash karen. agar jeevit hoon, to main vyakti ko dekhoonga. agar mara to laash ko dekhoonga. isee samay se, taang sain ko aantarik sampradaay ke shishy ke roop mein padonnat(promote) kiya jata h. yadi vah abhee bhee jeevit hai, to vah mere pad(position) ke lie ekamaatr hakdar hoga. "
"Yes, head."
elders ne ek saath pranaam kiya.
agar taang sain abhee chattaan ke sheersh(top) par hota to wo, taang da ke shabdon ko sunane mein saksham hota, bhale hee vah mar gaya, vah nishchit roop se abhee bhee bahut krtagy hoga; ant mein unaka bada prayaas bekaar nahin gaya.lekin, yah sab bahut der se aaya.
Heels’ peak, jahaan se ek phenkee gaee chattaan ko neeche girane mein 19 sekand lagenge, ek astitv prateet hota hai ki koi ki hell’s ke 18 levels ko paar kar raha hai, yah ek jeevit vyakti ko baadalon aur dhundh se vaapas jaane kee anumati kaise de sakata hai?
taang sain mar gaya tha, hamesha ke lie is duniya ko chhodakar, lekin usakee doosaree niyati abhee shuroo huee thee.
Killerpanditji(pandit)
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Mast update broUpdate 3
Douluo Continent
Holy Spirit Village, yadi koee keval isaka naam sunata hai, to ek aashcharyajanak(wonderful) gaanv kee tarah lag sakata hai. vaastav mein, yah phaseenuo praant ke nuading shahar ke dakshin mein 300 gharon ka ek hee gaanv tha. Holy Spirit kahe jaane ka kaaran yah tha ki ki kahaniyo mein, 100 saal pahale ek sprit sadhu ne Spirit Master rank hasil kee thee . yah Holy Spirit Village ka lia shaashvat garav ki baat bhee tha.
Holy Spirit Village ke baahar, bina kisi rok ke, khet ka ek vishaal vistaar jahaan anaaj aur sabjiyon ka utpaadan kiya gaya tha aur nuading shahar kee aapoorti ke lie bheja jata tha. nuaading shahar phaasinuo praant ke madhy mein sthit tha, aur jab ise ek pramukh shahar nahin maana jaata tha, to yaha ek aur saamraajy kee seema thee, aakhirakaar, bahut kareeb aur svaabhaavik roop se, donon mahaan saamraajyon ke vyaapaariyon ne vahaan kaarobaar kiya. nateejatan, nuading shahar ka vikaas hua aur shahar ke aasapaas ke gaanvon mein aam logon ka jeevan kaheen aur se behatar tha.
bamushkil pralay ke samay, door poorv mein, Mausam grey rang ka tha. Holy Spirit se sate ek chhote se 100 meetar lambe pahaadee par ek patalee aur chhotee silhoot(shadow) thee.
yah keval 5 ya 6 saal ka bachcha tha. jaahir hai, har din ki tarah usane sooraj kee garmee ko sahan kiya. uski skin ek white gehuna(wheat) rang ki thee, uske kaale chhote baal bahut saaph-suthare dikhaee dete the, aur uske kapade, haalaanki saral the, saaph the.
is umr mein ek bachche kee lia, is 100 meetar lambee pahaadee par chadhana aasaan kaam nahin ho sakata, lekin ajeeb baat hai, jab vah shikhar par pahuncha to usaka chehara sabase kam laal nahin tha, na hee wo haaf raha tha.usakee abhivyakti sthir aur akarshak dikhaee dee.
ladka pahaadee par baith gaya, usakee do aankhen anaayaas poorv kee or dekh rahee thee jahaan bhor ka aakaash dheere-dheere chamak raha tha. dheere-dheere usakee naak ke maadhyam se saans lena shuroo karana, dheere se usake munh ke maadhyam se saans chhodana; nirantar saans lena aur saans chhodana, ant mein, ek shaanadaar cycle ban gaya.
is prakriya ke dauraan, usakee aankhen achaanak chaudee ho gaeen. Bainganee(purple) qi(purple spirtual energy) ka ek kamjor nishaan door kshitij(horizon) mein badhatee ujjval grey subah kee roshanee mein chamakata dikhai de raha tha. Aashcharyajanak drshti aur ekaagrata ke bina, purple light notice karana asambhav hoga.
bainganee qi(spirtual energy) ko dekhate hue, ladake kee soul(spirit) pooree tarah se dhyaan kendrit kar rahee thee. vah ab bhee pura focused tha, keval ek prakaash aur dheemee saans lena. ek hee samay mein do aankhen jhilamilaatee bainganee roshanee mein ekaagrata se majabootee se ghooratee theen.
bainganee qi(spirtual energy) lambe samay tak nahin raha; poorvee prakaash dheere-dheere din ke ujaale mein badal gaya, tab tak bainganee qi pahale hee pooree tarah se gaayab ho gaya tha.
tabhee ladake ne lambee saans ke saath, dheere-dheere apanee aankhen band kar leen. White qi usake munh ke maadhyam se baahar nikalata hai jaise ki resham ke ek ball ko dheere-dheere phailaaya jaata hai.
bahut der tak chup baithane ke baad, ladake ne ek baar aur aankhen kholeen. usakee aankhon ke kendr mein aashcharyajanak roop tha, shaayad us ashuddh(impure) bainganee qi ke kaaran, halke bainganee rang kee jhalak. yah bainganee shanti s gaayab hone se pahale lambe samay tak nahin rahata tha, phir bhee yah bahut alag tha.
Dhuki hote hua, ladake ne apanee umr ke mutabik ek bure bhav dikhaee. usane apana sir hilaaya aur khud se kaha,
“phir bhee asambhav hai. Meri mysterious heaven skill(method of training internal qi) abhee bhee first stage se second stahe mein todane mein asamarth hai. yah pahale se hee poore 3 maheene ka hai, isalie yah parinaam kyon? yahaan tak ki bainganee demon eye(vision power), jo poorv se bainganee qi par nirbhar tha, jo keval subah hi cultivate kee ja sakatee thee, ne behatar progress dikhaee hai. Mysterious heaven skills adachan ke maadhyam se todane mein asamarth hone ke saath, mera Mysterious Jade Hand(Mysterious Jade Hand kee vajah se haath kee hathelee behad sakht aur tany ho jaatee hai. isake alaava, yah kisee bhee jahar ko baadhit(rok) kar sakata hai.) bhee aage badhane mein asamarth hai. jab mool roop se pahalee aur doosaree category ke beech kee seema par cultivation kee jaatee hai, to mujhe is tarah kee paristhitiyon mein nahin aana chaahie tha. kaise hote , hain, jab mysterious heaven skill pooree tarah se nau tier hotee hai, to yah pahala tier hai jo is pareshaanee ka kaaran hai? kya isalie ki yah duniya meree orignal duniya se alag hai? ”
yah bachcha, jo paanch saal pahale is duniya mein aaya tha, vah vaastav mein taang sampradaay ka taang sain tha jo apane aadarshon ke lie ek chattaan se chhalaang lagaata tha. jab use hosh aaya, to usane paaya ki garm sanasanee ke alaava, vah hil bhee nahin pa raha tha. lekin apekshit mrtyu nahin huee, aur vah bahut jaldee is duniya mein paida hua.
taang sain spasht nahin tha ki bahut baad tak kya chal raha tha. vah mar nahin gaya tha, lekin vah bhee ab poorv taang sain nahin tha.
punarjanm taang sain ko duniya kee is language ko seekhane ke lie lagabhag ek varsh kee jarurat thee. use abhee bhee yaad hai ki, jis samay vah paida hua tha, haalaanki vah abhee bhee apanee aankhen kholane aur dekhane mein asamarth tha, usane ek aadamee ke dil kee dhadakan vaale tadap ki aavaaz sunee.aga chal k, jab usne apanee utkrsht memory par bharosa karake is duniya kee bhaasha seekhee, to vah yah yaad karane mein bhee madad nahin kar sake ki vah aadamee chillaaya tha, "third sister, mujhe mat chhodo," aur vah aadamee usaka pita, taang hao [9] tha. us samay is duniya mein usakee maan pahale se hee ek kathin prasav se mar chukee thee.
chaahe devataon kee kaalee(black) ichchha ya saral sanyog ke kaaran, taang hao ne chamatkaarik roop se use apanee mrt(dead) patni ke yadein ke chinh ke roop mein taang sain naam diya.
(Tang hao)
is vajah se, usakee umr ke aasapaas ke gaanv ke bachche usaka upahaas karane ke lie har din ikattha hote the. phir bhee, unake dil mein, taang sain pooree tarah se santusht the. yah, aakhirakaar, vah naam tha jo usane doosaree duniya mein lagabhag 30 varshon tak istemaal kiya tha. vah keval apane pichhale jeevan kee yaad dilaane ke lie ek naam rakhane ke saath santusht tha.
Killerpanditji(pandit)
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Bhai ek request hai aap se story me jo bhi kirdaar hai un ka naam aap simpl us karo (indian naam use karo) abhi story me change ho skta hai keyoki story jyada aage abhi gai nehi hai aap un naam ko edit kar sakte ho agar kahi bhi mari baat ka bura Nage to sorry yeh mera point of view hai
Bilkul bhai kosis karta hun indian name use jarne k lia.
Tang sain(hero) aur Tang hao(father) in dono k name bhai yahi rakte h aga jo name aynge unhe indian kar dunga..qnki puri story in dono k as pass h islia